birthdays

  • Of her region, editor Dawn Potter wrote, “Maine is an enormous state, and also a lonely one. Our largest city, Portland, is a blip on the cities-of-the-world map, last metropolitan outpost of the Northeast Corridor, an urbane seaside burg that is liable, among airport baggage handlers, to be confused with Oregon. Yet Portland lies in

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  • Of the Big Apple, editor Sean Singer wrote, “To a first-time visitor to New York, our city is enormous, complicated, overwhelming, and palpitating with light and noise. Poetry is a contemplative and solitary activity, yet it thrives in New York City. In a place of 8 million people (only one and half million of whom

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  • Atlanta inspired editor Jim Elledge to muse, “Place is never simply itself. Place is always something additional, something we bring to it: the way a trumpeter brings breath to the horn or a harpist’s fingers bring vibration to the strings. Air and movement. Song.” Here’s a poem from that edition by Collin Kelley called “Controlled

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  • Of her newly adopted city, editor Sarah Vap wrote, “I can’t talk about Olympia without talking about all this landscape, these outlying little towns. I can’t talk about Olympia without talking about these two completely different worlds– very metro and very rural. Olympia itself is pretty. On a clear day, you can see Mount Rainier.

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  • Of her city, editor Suzanne Frischkorn wrote, “That poetry would bring me to New Haven and how often poetry would provide cause to return was a surprise. A number of poets stop in New Haven for readings and conferences. Some I catch up with over dinner or brunch, and some we entertain in our –

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  • Of our nation’s capital, Sandra Beasley wrote, “The poet as nurse; the poet as waiter; the poet as bureaucrat (consider the dowdy roots of the “Poet Laureate” title, which was originally “Consultant in Poetry to the Library of Congress”). The Washington poet is a working poet. The writers I know struggle and juggle artistic calling

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