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“Every play I write is about love and distance. And time. And from that we can get things like history.” — Suzan-Lori Parks
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Today is my last day at the No Tell Motel. Stop by and catch the last piece. Five more pieces from Living Things have just appeared at the Blood Orange Review’s new “Resurrection Issue”. My poems begin here. There is also a lovely and flattering review of the chapbook as a whole here. The review
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Finally, Montgomery (et al), photos of the cat: This is the kitten in her penthouse suite in my apartment (aka the guest bathroom). And he she is at work, answering the question, “Has anyone seen the kitten lately?” We should have put her to work. And, finally, an ARDENWATCH update: Isn’t she beautiful?
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I had a peculiar experience a few days ago. I was running an errand for work in downtown Phoenix and ended up in an unfamiliar neighborhood as I made my way home. By and large, I have not been overly enamored of this city since I first moved here: it’s flat and weird and spread
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“I have a lot of frustration with the insistence on content when people are talking about homosexuality. People define gay cinema solely by content; if there are gay characters in it; it’s a gay film. It fits into the gay sensibility, we got it, it’s gay. It’s such a failure of the imagination, let alone
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In response to my own post recently about the sometime-sting of rejection letters, I just wanted to share this little gem that I received this morning. I received a follow-up letter from Hildra Raz regarding the Prairie Schooner Book Prize, for which I was one of 13 finalists this year. This is the second rejection
charlesjensenwriter.com 