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Read:Veronica, Mary GaitskillLoved it.The David Museum, Ron MohringFantastic.Mutant Message Down Under, Marlo MorganInteresting and strange! Also, an easy read.Here, Bullet, Brian TurnerUnderstandibly an important book right nowMiracle Fruit, Aimee NezhukumatathilDelicious with some very arresting piecesNew Queer Cinema: A Critical ReaderVery thought-provoking; expect a blog post about some ideas from this later Practiced:Outdoor yoga on the
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I’m a genie in a bottle, baby.
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Just to complete what I had posted on Friday: The reason that the marked text idea is interesting to me right now, is that it has made me look at the works of several digital artists in a slightly different way. The work of jUStin!katKO, in particular Reading Palm, uses a simplistic but effective method
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Over recent weeks, I have been reading up on work by and about Johanna Drucker and Susan Howe. Drucker, whose Figuring the Word book has become a bible to me, has an interest in what she sees as an inseparable association between the word’s semantics and its physical qualities, the two combining to create a
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pale-face reunion my brother smokes like mouth-to-mouthregulatory deadline fornot ok overweight mercy rulebut savingembraced herfather believes Naomi’s lungis Europeanwhereas I walk soupconventions of the seafamiliar objectsmy captive audiencelies still
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Generative art is a murky area. Ranging from conceptually fascinating and interesting work to little more than wallpaper, its satisfaction level is not always guaranteed. Kind of like the Oulipo movement, in which mathematical constraints were applied to text, or multiple choice and random elements were incorporated into the text’s production. This often sounds better
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